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Under the direction of Belgian choreographer and dancer Michèle Anne De Mey and the award-winning filmmaker Jaco Van Dormael, master artists use live film projection on stage to bring miniature worlds into full view of the audience.He is a dark, enigmatic prince obsessed with seeking revenge for his father's death.When the couple's activist son joins them for dinner, tensions arise, truths are interrogated, and the notion of intent — both conscious and unconscious — becomes paramount.
" In the elegant loft of a powerful, well-intentioned white couple in the New York City art world, a black artist named Charlotte Cummings arrives in the hopes of selling her new work.
When Anna falls in love with a shipwrecked sailor, her father and her suitor come to recognize their own culpability in her plight, and all three struggle in their own way for salvation.
Delightfully gothic, beautiful and emotionally complex, Ada/Ava utilizes special-effect techniques from the early age of cinema — shadow puppetry, live-action silhouettes and overhead projection — to conjure a magic spell of multimedia storytelling, complete with a live musical score.
Here, the unrestrained imagination moves the melancholy act of mourning through of journey across the thresholds of life and death. That's the big question posed by the surprisingly funny and whimsical new show from the troupe behind Arts Emerson's 2013 word-of-mouth phenomenon, Kiss & Cry.
Utilizing that same theatrical magic — cinematic techniques, miniature sets, dancing hands and a poetic voice-over — Cold Blood cycles through a series of different lives (and deaths) in a hypnotic dreamlike state.
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These visceral, poetic monologues with song capture unheard voices, each at their own precarious tipping point.